In a vein similar to Jar Moff's brilliant 12", Commercial Mouth, Susan Balmar cobbles together samples which sometimes cohere into beats, but more often wobble into disjunctive, abstract messes--which is why they're so amazing. On CCG, Balmar seems to have stumbled into a haven for misfit sounds, sounds which she lovingly tugs together, knitting everything into a beautiful grotesquery of demented anti-hip hop. Just brilliant.
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